Karen D. Savage to join the Nightshift-Team
We are really excited to announce that Karen D. Savage joined our team as choreographer. If you want to find out more about her work please visit her homepage.
read complete postBy editor | August 12, 2009
Casting in September in NYC
We will be flying to NYC for casting-preperations on September 6th.
read complete postBy editor | July 22, 2009
Shooting “Scene 12″: The Nikon D90
In November 2008 we started shooting a test-trailer of our upcoming feature film to see if it was at all possible to use the D90 as a serious camera. Now, we just finished the final clip and that it might be a good idea to post our results.
read complete postBy editor | May 5, 2009
Danke, Danke, Danke
Vielen Dank euch allen, es hat unheimlich viel Spaß gemacht!!
read complete postBy goetz | November 21, 2008
Protected: 2. Tanzprobe
There is no excerpt because this is a protected post.
read complete postBy choreo | November 3, 2008
Protected: Erste Tanzprobe- 30.10.2008
There is no excerpt because this is a protected post.
read complete postBy choreo | October 31, 2008
Freitagsprobe…
Wie versprochen hab ich mal schnell was aus dem Material vom Freitag zusammen gekloppt.
Probendreh Freitag 10.10.2008
read complete postBy editor | October 11, 2008
1. Clip vom Test-Dreh am Montag
ich habe heute mal schnell ein paar Schnipsel von gestern zusammen gebastelt und online gestellt.
Bis Donnerstag
By editor | October 7, 2008

Obviously dance, music and choreography plays an essential role when producing a musical-movie and we have been incredible fortunate to have renowned choreographer Karen D. Savage come on board. Over the period of 8 months she and composer/director Götz Neumann worked very closely to create what we feel is an exceptional choreography. It was exciting to see it all come alive and our great cast after weeks of rehearsals performed it and inspired our crew to create some truly awesome shots. See what Karen had to say about the process in a short interview we took with her during a shooting break.
